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Article
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Getting the Record Deal – Guidelines to Submitting
Material to Record Labels Yourself
by Ken
Cavalier
Many independent artists have come to the realization
that attempting to get a record deal in the music business
environment today may be a futile exercise. Most have decided to go it
alone – with their own label, and releasing product independently
rather then going through the process of trying to “get
signed”. But some still
hold firm to the idea that having a record label behind them that
facilitates music promotion, music marketing, and tour support
whereby they basically foot the bills is an attractive attribute to
getting signed to a label and landing a good recording
contract. I do not
totally disagree with this thinking at all. However, attempting to get
the attention of a record label, whether it is an independent record
label or a major record label requires some serious well thought out
strategies.
Aside from having killer material, performance,
tour history, a story, a history, and a major buzz going on, a few
of the obvious things that record labels look for in signing an
artist, you need to bring the attention of the label to your project
in a very ethical and professional manner. Having a music consultant,
music attorney, or music manager shop your material to the labels is
one way to go – although it could be expensive. The other alternative is of
course doing it yourself -- the strategy of most indie musicians
today who find themselves on a shoestring
budget.
So what is the most
professional and ethical method of getting material to the record
labels for consideration?
Consider these few steps:
1. You need to make sure you
have accomplished the steps as I listed them above. Such as having a history,
story and buzz. You are
a road warrior, and hopefully you have sold a significant amount of
units independently.
2. You have a finished professionally recorded and
polished album or demo with professional artwork.
3. You have a professionally
designed and packaged Press kit which contains your demo-CD and
promotional photos and press, tour history, etc. You packaging should be
unique so that it stands out from the thousands that labels
receive.
4. Last but not least – probably the most important
step --- Deliver your
package right to the proper source. Directly to the Artist and
Repertoire Representative that handles your genre -- preferably
addressing the package to their assistant.
Now that
everything is in place, and you’re ready to start submitting to
labels, you may be wondering – How do we get the lists we need to
find the A&R representatives contact information?
There is only one
music business contact directory that is known in the music industry
as the definitive bible for record label A&R contact information
– The A&R
Registry. It
literally has every single major record label and independent record
label A&R representative’s contact information listed. The name and title, their
assistant, record label address, phone, emails, and submission
guidelines -- absolutely everything you need to facilitate and
organize your submissions to record labels in an extremely effective
and professional manner.
The amazing directory
is available in the single edition print edition, on CD Rom, and
even better there is a highly effective point and click online
version which is basically updated on a almost daily basis.
If you are an indie band or artist and basically doing it
all yourself, believe me, this is the directory you need. Check it out.
You
can get the details and find both the A&R Registry Print and
Online Edition at this link:
http://allureinc.com/ar_registry.html
©2009 Ken Cavalier All Rights
Reserved
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